OGUN APOTHEOSIS AND THE CONTEXTS OF DRAMATIC PERFORMANCE IN OLOJO FESTIVAL OF ILE-IFE

ABSTRACT

This research explores critically the context of dramatic performance in Olojo Festival, a traditional celebration in favour of Ogun in File Ice. In the course of discussing the dramatic elements and performances embedded in it, the props and costume used also come to the fore. It further questions the role of Ogun as an hero before his deification as purported by the Euhemerist, with a view to accounting for his bravery, courage and greatness.

His role as the god of Iron and why adherents still celebrate him till today is also explained. The research finally seek to explore the significance of each costume as they underscore and portrays the immense role of Ogun, the God of Iron.

TABLE OF CONTENTS

Background of the Study ..........................................................

Statement of the Problem .............................................................

Scope of Study .....................................

Objectives of the Study

Research Questions

Definition of Key Terms

CHAPTER TWO

Literature Review

Theoretical Framework

CHAPTER THREE

History of Olojo festival in Ile-Ife

Origin of the Ogun

Cultural Significance of Costumes used in Olojo Festival

Different Props used during Olojo Festival

The Ooni and the Osogun as the Protagonist and the Antagonist in Olojo Festival

Visible and Invisible Audience in Olojo Festival

Drums, Songs and Dances in Olojo Festival.

CHAPTER FOUR

The context of spirituality in Aare crown and Osogun’s garment ...............................

Dramatic Elements in Ooni and Osogun’s Clash

Ritual Ceremonies in Olojo Festival

CHAPTER FIVE

Conclusions..........................................................................

References