TABLE OF CONTENTS
DECLARATION ........................................................................................................................................... i
APPROVAL.. ................................................................................................................................................ ii
DEDICATION ............................................................................................................................................. Iii
ACKNOWLEDGEMENT ........................................................................................................................... iv
TABLE OF CONTENTS .............................................................................................................................. v
CHAPTER ONE
PROPOSAL AND LITERATURE REVIEW
1.0 INTRODUCTORY ................................................................................................................................. 1
1.1 THEORETICAL BACKGROUND ........................................................................................................ 1
1.2 STATEMENT OF THE PROBLEM ...................................................................................................... 4
1.3 AIMS AND OBJECTIVES ..................................................................................................................... 4
1.4 SCOPE .................................................................................................................................................... 5
1.5 HYPOTHESIS ........................................................................................................................................ 5
1.6 RESEARCH METHOD .......................................................................................................................... 5
1.7 LITERATURE REVIEW ........................................................................................................................ 6
CHAPTER TWO
THE COPYRIGHT REGIME
2.0 INTRODUCTORY ............................................................................................................................... 18
2.1 HISTORY ............................................................................................................................................. 18
2. I .1 Early beginnings ................................................................................................................................. 18
2.1.2 Printing Technology ........................................................................................................................... 19
2.1.3 Statute of Anne 1709 .......................................................................................................................... 21
2.1 .4 International conventions ................................................................................................................... 22
2.1.5 [History of] Musical works ................................................................................................................ 23
!.2 MUSICAL WORKS- THE LEGAL DICHOTOMY .......................................................................... 26
!.2.1 The copyright framework ................................................................................................................... 26
:.2.2 The idea/expression dichotomy .......................................................................................................... 29
:.2.3 The musical work in focus ................................................................................................................. 30
,.2.4 Assignment and licensing of copyright .............................................................................................. 32
v
CHAPTER THREE
UGANDA: THE COPYRIGHT REGIME
3.0 INTRODUCTORY ............................................................................................................................... 34
3.1 TRADITIONAL FOLKLORE .............................................................................................................. 34
3.2 THE COPYRIGHT ACT !964 ............................................................................................................. 37
3.2.1 Inadequacy of copyright protection .................................................................................................... 37
3.2.2 Justification for reforrn ....................................................................................................................... 38
3.3 THE COPYRIGHT AND NEIGHBOURING RIGHTS ACT 2006 ..................................................... 40
CHAPTER FOUR
MUSIC AND COPYRIGHT: THE FACE OF INFRINGEMENT
4.0 INTRODUCTORY ............................................................................................................................... 43
I. UGANDA: MUSICAL WORKS AND THE COPYRIGHT ENFORCEMENT EXPERIENC43
4.1 THE INEFFECTIVESS OF STRENGHTHENED LEGISLATION .................................................... 44
4.1.2 Factors explaining continued piracy ................................................................................................. .46
!!.COPYRIGHT ENFORCEMENT EXPERIENCES IN AFRICA IN RELATION TO UGANDA ......... 52
4.2 KENY A ................................................................................................................................................. 52
4.2.1 Comparative analysis of Enforcement Challenges I difficulties in Kenya vis-a-vis Uganda ... 53
4.3 NIGERIA ................................................ , ............................................................................................. 56
4.3.1 Comparative analysis of Enforcement Challenges I difficulties in Nigeria vis-a-vis Uganda .. 56
4.4 SOUTH AFRICA .................................................................................................................................. 58
4.4.1 Comparative analysis of Enforcement Challenges I difficulties in South Africa vis-a-vis
Uganda ........................................................................................................................................................ 58
TIL MUSIC PIRACY AND THE INTERNET ............................................................................................ 59
t5 COPYRIGHT, MUSIC AND THE INTERNET .................................................................................. 59
W THE COLLECTING SOCIETIES MODEL ......................................................................................... 63
~.6 THE COPYRIGHT COLLECTIVE ..................................................................................................... 63
!.6.1 Uganda and the copyright collective idea1 ......................................................................................... 64
!.6.2 Collective management in other African countries ............................................................................ 67
MATTHEW, K (2021). The Effectiveness Of The Copyright And Neighbouring Rights Act 2006 In Protecting The Interests Of Rights-Holders In Musical Works. Afribary. Retrieved from https://afribary.com/works/the-effectiveness-of-the-copyright-and-neighbouring-rights-act-2006-in-protecting-the-interests-of-rights-holders-in-musical-works
MATTHEW, KIWUNDA "The Effectiveness Of The Copyright And Neighbouring Rights Act 2006 In Protecting The Interests Of Rights-Holders In Musical Works" Afribary. Afribary, 04 Jun. 2021, https://afribary.com/works/the-effectiveness-of-the-copyright-and-neighbouring-rights-act-2006-in-protecting-the-interests-of-rights-holders-in-musical-works. Accessed 03 Oct. 2024.
MATTHEW, KIWUNDA . "The Effectiveness Of The Copyright And Neighbouring Rights Act 2006 In Protecting The Interests Of Rights-Holders In Musical Works". Afribary, Afribary, 04 Jun. 2021. Web. 03 Oct. 2024. < https://afribary.com/works/the-effectiveness-of-the-copyright-and-neighbouring-rights-act-2006-in-protecting-the-interests-of-rights-holders-in-musical-works >.
MATTHEW, KIWUNDA . "The Effectiveness Of The Copyright And Neighbouring Rights Act 2006 In Protecting The Interests Of Rights-Holders In Musical Works" Afribary (2021). Accessed October 03, 2024. https://afribary.com/works/the-effectiveness-of-the-copyright-and-neighbouring-rights-act-2006-in-protecting-the-interests-of-rights-holders-in-musical-works